Σκωρία φωτός(1989)

The film is a collage of computer-generated works that reproduce erotic designs from classical antiquity to contemporary photographs and live footage. Through different filming techniques, a unique construction emerges, where the aesthetics of modern technology do not prevail, but rather a very personal perspective is discernible. The subject of the film refers to the diptych "Love-Death" – a theme familiar in the art world. Still lifes refer to painters such as Morandi, Caravaggio, or Lopez. The acceptance of ancient and contemporary heritage works in tandem with its rejection, as it is deconstructed through the destruction of materials and images.