Marcela Fernández Violante

Violante participated in making the documentary Frida Kahlo based on the work of the Mexican painter. She was the first woman to address the topic of Frida Kahlo . This documentary won the Silver Goddess Award and an Ariel award for best debut opera, as well as the prize for the best short film at the Guadalajara film festival in 1973. It won the special jury prize at the London festival in 1974, and was exhibited at the Solomon R. Guggenheim Museum in New York later that year. In 1974, Violante began filming De todos modos Juan te llamas (Anyway, Juan is your name), the first feature film to be produced by UNAM. The film deals with the topic of the Cristero War in the Mexican Shoal in 1927, and the consolidation of the PRI as the ruling party.

Under the policy of freedom of expression in cinema, president Luis Echeverría agreed that the film could be commercially exhibited even though it severely criticized the Catholic Church and the Mexican Army. The film appeared at an exhibition in a New York film festival in 1976 and at the Havana film festival later in December.

In 1974, Violante became a professor of scriptwriting and filmmaking subjects of CUEC. She became a director there from 1984 to 1988. According to El Universal, in 1980 she expelled Alfonso Cuarón from CUEC, finding his documentary Vengeance is mine to be pretentious. Violante collaborated as a speaker at universities such Loyola in New Orleans, UCLA in California and NYU in New York. She is the General Secretary of the Union of Film Production Workers of the Mexican Republic (STPC), a member of the General Society of Writers of Mexico (SOGEM), and President of the Matilde Landeta cultural association.