Jud Yalkut
Directing
- Died
- July 23, 2013
Jud Yalkut was a pioneering intermedia artist and filmmaker. His remarkable body of moving image work, which spanned fifty years, ranged from early performance renderings and poetic filmic experiments to a series of groundbreaking hybrid video-film collaborations with Nam June Paik. Transcending and transforming media as he explored and merged film, video, expanded cinema, electronic manipulations, performance and installation, Yalkut created and collaborated on seminal intermedia projects with numerous artists, filmmakers, musicians and performers in the avant-garde and experimental scenes.
Known for
Kusama's Self-Obliteration
December 31, 1967
Beatles Electroniques
October 23, 1968
Electronic Moon No. 2
July 15, 1972
Waiting for Commercials
July 15, 1972
A Tribute to John Cage
November 3, 1976
Aquarian Rushes
January 1, 1970
Some Manipulations
December 1, 1969
Opera Sextronique
December 1, 1967
Suite 212
December 28, 1974
Turn Turn Turn
May 8, 1966
D.M.T.
January 1, 1966
Us Down by the Riverside
May 8, 1966
Behind the camera43
- 2002Light Display: Color Director
- 1994The Electronic Super Highway: Nam June Paik in the Nineties Director
- 1992Video Commune (Beatles from Beginning to End) Director
- 1982Self Portrait 2 Director
- 1976A Tribute to John Cage Camera Operator
- 1974Suite 212 Co-Director
- 1973Slop Print Director
- 1973China Cat Sunflower Director
- 1973The Whirling Ecstasy Director
- 1973John Cage Mushroom Hunting in Stony Point