Johnny Clegg

Clegg was born on 7 June 1953 in Bacup, Lancashire, to an English father of Scottish descent, Dennis Clegg, and a Rhodesian mother, Muriel (Braudo). Clegg's mother's family were Jewish immigrants from Lithuania, and Clegg had a secular Jewish upbringing, learning about the Ten Commandments but refusing to have a bar mitzvah or even associate with other Jewish children at school. He moved with his mother to Rhodesia (now Zimbabwe) at age 6 months, and his parents divorced soon afterwards. At age six, he moved to South Africa with his mother, also spending part of a year in Israel during his childhood.

As an adolescent in Johannesburg's northern suburbs, he encountered the demi-monde of the city's Zulu migrant workers' music and dance. Under the tutelage of Charlie Mzila, a flat cleaner by day and musician by night, Clegg mastered both the Zulu language and the maskandi guitar and the isishameni dance styles of the migrants. Clegg's involvement with black musicians often led to arrests for trespassing on government property and for contravening the Group Areas Act. He was first arrested at the age of 15 for violating apartheid-era laws in South Africa banning people of different races from congregating together after curfew hours.

At the age of 16, he met Sipho Mchunu, a Zulu migrant worker with whom he began performing music. The partnership, which they named Juluka, began in 1969, and was profiled in the 1970s television documentary Beats of the Heart: Rhythm of Resistance.

After graduating with a BA(Hons) in Social Anthropology from the University of Witwatersrand, Clegg pursued an academic career for four years where he lectured and wrote several seminal scholarly papers on Zulu music and dance. In the early stages of his musical career, Clegg combined his music with the study of anthropology at Wits, where he was influenced by the work of David Webster, a social anthropologist who was later assassinated in 1989.

He preceded each song with snippets of Zulu culture, information, commentary, humor and personal anecdotes relevant and unique to that song, occasionally also incorporating aspects of his Jewish roots in songs such as "Jericho", "Jarusalema" and "Warsaw 1943". ...

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