Abdelmadjid Meskoud

Meskoud spent two years in Béchar - military service required - which allowed him to sing in tune and master the strokes. He remains a local singer even if thanks to the friendship and complicity of Mohamed Er-lkachid, a musical history buff, he manages to appear on television. He learned his lessons during wedding celebrations until the day the beautiful song El-Assima revealed him to the general public, in 1989. This personal text that he began to sing since 1987 at festivals is a beautiful text, intense, true and full of nostalgia. At the origin of this little masterpiece, the destruction for renovation, of the old district of El Hamma where he was born, very affected by the destruction of the house where he grew up. Afterwards, the poem gradually gained momentum to give Ya Dzaïr ya El Assima. Throughout his career he alternated between music and theater and appeared in the casting of several TV films.

Abdelmadjid Meskoud, who listens to the chaâbi masters Cheikh El Hasnaoui and Hadj El Anka in particular, but also Jacques Brel, Édith Piaf, Georges Brassens and Léo Ferré, introduced a revival in the chaâbi song of the 1990s, then supplanted by Raï among the popular diapers. In 1984, he composed an orchestra with Krimo Ben Allaoua, Hakim Ben El-Djouzi, Zouhir Djemaî (violin), Redouane Ben El-Djouzi (guitar), Ahmed Berrour (derbouka) and Abdelkader Dali (târ). In 2012, Abdelmadjid Meskoud was also among the contributors to the success of the El Gusto orchestra, the concerts and the film of the same name.